FICHIER GUITAR PRO v4.06GContra III - Stage 3 Music Contra III Contra III Contra III&%Martin Lim - demonarchy7321@gmail.com-,Right, theres two guitar parts for this tab.98First, ALL parts ARE playable, i find them to be honest 21very easy to play as they are all pattern based, /.however beware of such bars like Bar 35 to 36.;:Generally the point of this tab is to play "main" or more ;:prominent "features" within this song. It took two guitar 76parts to imply this and also show the harmony between the two solo lines.76The point of this tab is for solo exercise. Since the ;:guitar lines are extracted primarily from keyboard parts, they become challenging. /.The solos make you focus on picking aswell as 98awkward phrasing for left hand and fast shift positions 21on the guitar. If you can get these down you can 32develop a very good understanding of patterns and 76shapes aswell as phrasing to apply to modern day solo modal use.%$Hope you enjoy the tab and have fun! - Martin                                                            Jc$  ! Main Solos  Main Solos 2 EndGuitar 1@;72-(Guitar 2@;72-(A,Sweep    (    @ @A(    (   @ @ @ "   "@@@  ""@ @ @@ @  " @@ @ @  @ @ @ @ @@ @ @@ @  A    @@ @ @@ @ @ @ @  @ @ @@ @  " @@ @ @  @ @ @ @ @@ @ @@ @      ""  @@ @ @@ @ @ @ @   00@ @ @@ @  " @@ @ @  @ @ @ @ @@ @ @@ @   DSweep((((((((((( ( ((((((((@  @@ @ @@ @ @ @ @@(((((((((((((((( (((( (( (( @                                    "@ A                                    "@ A                    @                        " @ @                           ""  @E-,Palm mute top neck of bridge with right handA`0 0 0 0  0 0 0 00 0  0 0 0 0 0 0 0 @ `  @  @    A( ( ( ( ( ( ( ( ( ( ( ( ( ( (   ( ( ( ( ( ( ( ( ( ( ( ( ( ( (    ( ( ( ( ( (                 ( ( ( ( ( (                @ @    @ @ @    @ @ @ ( ( ( ( ( ( (( ( ( ( ( ( ( (( ( ( ( ( ( (( ( ( ( ( ( ( (( ( ( ( ( ( (( ( ( ( ( ( ( ((( ( ( ( ( ( (( ( ( ( ( ( ( ((              (((((((( ((((((( (( ( ( ( ( ( ( ( ( ( ( ( ( ( (    ((((((                @   ( ( ( ( ( (                  @ @    @       @ @ @ ( ( ( ( ( (  ( ( ( ( ( ( ( (   (((( ( ( ( ( (((( ( (   ( ( ( ( ( (  ( ( ( ( ( ( ( (  ( ( (((( ( ( ( ( (((( ( ( ( ( @  @                @0@0 00 000 0000 00 00 0    (  (     (  (  (( (( ( ( (( ( ( ( ( ( ( ( ( @(( (( ( ( (( ( ( ( ( ( ( ( ( @ (   (( (( ( ( (( ( ( ( ( ( ( ( ( (  ((((( ((( ( (( ( ( ( ( ( (  ( ( ( ( ( ( ( ( ( ( ( ( ( ( (   ( ( ( ( ( ( ( ( ( ( ( ( ( ( (    ( ( ( ( ( (               @  ( ( ( ( ( (               @ @ @    @ @ @    @ @ @ ( (( @( ( ( @(  ( ( (( @( ( ( @  ( (( @( ( ( @(  ( ( (( @( ( ( @  ( (( @( ( ( @(  ( ( (( @    @  @ ( (( @( ( ( @(  ( ( (( @    @  @ @ @     @ @       (( (( (( (((( (( (( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( (    ( (( (( (           @  ( ( ( ( ( (               @ @ @    @(dd<d@ @    @ @ @ ( ( ( @(  (  ( @( ( ( ( ( @(  (  ( @ ( (( @( ( (@(  (( (( @( ( (@  ( ( ( @(  (  ( @( ( ( ( ( @(  (  ( @(@( ( (( @( ( (@(  (( (( @( ( (@(  (  @                 @                                                                         @A@A                                              "           "      @@                                              "@@       "@@@A      ,! Sweep and finger barre technique0( (@0(0( 0(@0( 0(0(0(0(0( 0(@0( (@0(0( 0(@0( 0(0(0(0(0( 0  ((((@((((((((@( ( ( ( ( @( ( ( ( ( ( ( ( @( (( ""  ((  ""       @@    A@@